Of Collecting & Consumerism
04.21.08By Deanna DahlsadI don’t know about you, but I’m a bit tired of (and frustrated by) declarations that collecting is bad; that it’s materialistic, and nothing more than bad consumerism. You know that I’ve ranted and raved the opposite, but in my desire to better separate collecting from poor consumer habits (and the related anti-consumerist movements and organizations) I figured you needed more than just my words. Or maybe I just needed to be validated. Anyway, I went looking for an expert.
And I found one: Professor Marina Bianchi.
Professor, please give us a brief biography of yourself.
I graduated in Rome, Faculty of Philosophy, with a thesis on the problem that things often have a particular value for their users that is not matched by their value (price) in the market. Very soon I was appointed as a researcher in the Faculty of Economics in Rome, La Sapienza. Now I am professor of Economics in the University of Cassino, where I teach Microeconomics and Industrial organization. I visit often The United States where my husband teaches Economics at Duke University. At the moment we are both teaching a course in Venice entitled The Economics of Creative Goods, where we explore the characteristics of both the production and the consumption of creative goods and activities (from movies to fashion, from videogames to books).
Please describe your work/study.
I was always interested in the problem of the choices individuals make: whether they are efficient (or rational as economists say), how learning and skills affect hem, and how they change through social interaction. At first I studied the role of entrepreneurship and competition in generating change and innovation. Later I discovered how important, though sadly neglected in economics, is the often innovative roles played by consumers. My theoretical tools mixed philosophy, game theory, psychology, and economic history.
I read your papers, but I would like confirmation that I am understanding them correctly… Would you briefly define/describe the following areas of your studies:
*consumer choice theory
*preference formation, the role of novelty in consumption & satisfaction
I soon realized that consumers too have entrepreneurial abilities. They take advantage of unexploited opportunities and create novel solutions to problems in the pursuit of their own wellbeing, just as entrepreneurs do in the pursuit of profits. Think of the re-discovery of past trends, or of quite fresh ways for dressing, that can come from the street; or of the original and unique ways one can combine elements in music, or furniture, or clothes and accessories. Think too of consumer-created products such as YouTube, Flickr, or MySpace. Consumers also adapt things made available by producers in completely unexpected, creative ways: for example, new model creation by fans of Lego; downloading and file-sharing via cell phones.
In studying consumer choice I try to emphasize the active role of consumers. In this process of creation of new alternatives on the part of consumers, I also stress how preferences change and become more refined. Why should change and innovation be the preserve of producers and be assumed to come only within the organizational framework of firms and corporations? Whereas most economists tend to assume preferences are given and explain choices as due to changes in relative prices or income, I posit a much more restless, exploratory role for consumers.
How & when did you find yourself specializing in the areas you do?
Individual choices are at centre stage in economics but, strangely, individual preferences and motivations are never analysed. Motivation and preferences have been left to others – psychologists, sociologists – to explain and document. They are considered too inscrutable and subjective for a precise and exact science as economics wants to be. But I was always curious about individual motivations and thought that there was something important missing here.
By looking at what other disciplines had to say about motivations I discovered why novelty, variety, complexity, surprise and even uncertainty play such an important role in choices. Take novelty, for example. Do we find the repetition of a single note in music pleasurable? No. Not that unbounded change and novelty is pleasant either. But novelty, within recognizable bounds, is associated with positive feelings of pleasure and the same is true with variety and the other properties I just mentioned. When you read a novel or watch a movie, or listen to a story, why do you like it so much? Because while the plot with its characters gives you the reassurance of a frame of reference, the unfolding of the plot with its suspense, surprises, and new twists gives you the thrill and stimulation of novelty. So it is with collecting: we organize our collections and constantly re-order them too. Each order we impose gives the items a sense or meaning; yet each additional item is new and exciting, whether it adds something different within an order or provokes a re-thinking of that order. This is why collecting can become such a passion.
I found you searching for something more positive on collecting and consumerism. Seems there are quite a few blaming consumerism for darn near everything, and other than a few concessions that collecting can be a good thing for its recycling points, most see collecting as a negative hobby or activity. Do you see collecting as a purely consumerist activity? Is all consumerism ‘bad’?
You correctly infer, from my writings but also from what I have just said, that I am very impatient with those who caste consumers in the role of victim – the dupes of advertisers – or active consumers as aberrant: going overboard in acquisition or exhibiting a kind of mania as collectors. Clearly there can be excess in the consumption of things as there can be in the imbibing of food or drink. But it is unreflective to take the pursuit of variety and change, as in fashion, as due only to a search for status, or to jump from observing careless or wasteful consumption to calling for a new era of frugality and restraint. I do not see consumption as an activity that destroys rather than creates and production as something nobler.
It is true that in order to be more enjoyable and creative consumption must be skilled consumption: you must know the goods and experiences you are consuming. But, the more consumption will be thought of as inferior or wasteful, the less prepared we will be in acquiring the skills necessary for creative consumption. Fortunately things are changing, and fast. The communities of interacting consumers that form through the internet in a variety of new and ingenious ways are very important for the creation of skilled consumers. And in many ways we see them leading producers and opening up new potential for living lives of satisfaction.
Do you yourself collect anything?
Yes. In the past I collected ‘forties dresses and costume jewellery. More recently I have developed a real passion for bakelite bangles. It started by chance and soon I discovered how infinitely combinable and variable they were. Unfortunately for me many others have discovered the same so that they have become very expensive. But this is the destiny of many collectables and it does not destroy the possibility and the joy of finding a never-before-seen piece at a price that you are willing to pay. Moreover, extraordinary substitutes are being used in creative ways by designers, which introduces new consumers to the pleasure of this pursuit at more affordable prices.
Fundamentally, is there much difference between ‘research’ and ‘collecting’?
I think that between intellectual or scientific research and collecting there are many things in common. In research, as in collecting, we have a frame of reference that provides the organizing guide and that gives shape to problems or challenges and tells us where to look for possible solutions. And also in research the aim is to conquer something new that reshapes one’s organizing framework and opens new paths. But collecting is more playful, light, and pleasurable in every phase. Enjoying your collection is as pleasurable as when you are searching for a new addition to it, and the difficulties you meet only increase the final enjoyment. Buying an already made collection would destroy half the pleasure. Research is more costly in terms of intellectual efforts and discipline, but, yes, the principles are the same!
So there you have it, folks: Collecting isn’t bad. As a collector you can be an educated consumer, be helping the economy, be creative, and, actually be living a satisfying life. Who knew? Well, actually, we collectors already knew that. But now you have some research to back you up.








There is little tidy & organized in this house. Things may be grouped (books by subject, figurines together) yet covered in dust… or just as easily, things shelved or boxed, but not with any real organization other than “stored”. Even household things, I fear, are similarly so: dishes in cupboards, but mail in piles on the counter; books on shelves, but also open and read on tables and nightstands; for all the vintage sewing patterns correctly stored, there are sewing projects “in process” on the sewing machine. This household consists of interesting, active people who live, create and collect more than we clean & present.
How would you feel if you were classified as having
On one hand, this compulsion is odd, and certainly outside of his control; but on the other, his “habit” isn’t ruining him financially or otherwise. If it is but one symptom, it’s likely not such an issue. If combined with others, or taken to such extremes that buying multiple copies of books not read (nor likely to be read) affects the ability to pay rent, hold a job, interact with others etc., then it’s “a problem.” And I don’t just say that as the owner of books she may never read, including multiple copies of such books; I’m not rationalizing. It really is a matter of degrees.