Justice League

I have made absolutely no secret of my gushing, nerdly adoration of the Justice League animated series. Repeatedly. To the point of annoying the bejesus out of everyone here, no doubt. In short – it’s the greatest thing to happen to cartoons in, well, forever.

Building upon the epic stylings of the Batman and Superman animated series (masterpieces both), the Justice League animated series took all of this and added in just about everyone in the DC Universe. It brought obscure characters to the forefront of battles, threw in mentions of just about everyone else, spawned the most extensive comic-based action figure line ever, and really told meaningful, smart stories. So smart, in fact, that episodes aired in prime time and in a letterboxed format. That’s the kind of ‘classy’ we’re talking here. It’s rare to encounter a cartoon that can be defined as ‘powerful’, but this is one.

And I have to be completely honest here – I always cry like a baby during the episode ‘Epilogue’. Not only does it depict the perfect Batman, but it’s one of the best five television moments ever created.

This is not to say that the series didn’t have a few clunkers. Any show that depicts a ‘war world’ usually puts me to sleep, but the rest of the series more than makes up for it. Episodes featuring Batman singing, a Wonder Woman pig, and an episode where the JL is turned into kids that actually doesn’t suck all add up to a great experience. The series even manages to tie in the largely forgettable Batman Beyond series and give it some relevance to the bigger narrative scheme.

Justice League : The Complete Series, handsomely encased in a tin container, includes every episode from Justice League (2001 – 2004) and the follow-up series, Justice League Unlimited (2004 – 2006), despite just being called ‘Justice League’. This includes 91 episodes over 14 discs – and packaged in a much narrower set than all four previous DVD sets. These DVDs reproduce all of the bonus features that were originally included in the originals, except for ‘And Justice For All’, a mini-documentary about the transition between the two related series. This is replaced by a completely new documentary called ‘Unlimited Reserve’, which covers a lot of the same ideas anyhow. Even the images on the DVDs themselves are identical to the original releases, so you’re not missing any detail, really.

This whole set, which spans an insane 2062 minutes (which I include because the box says so, despite being a tremendously impractical way to measure time), can be purchased for around 70 bucks – less than half of what the original four sets would set you back.

It’s probably the best investment in an animated series you could make today, because they’re pretty endlessly rewatchable, have some amazing voice talent (seriously, Scrubs’ Dr. Cox as The Atom!), and hell, they’re just really good. It’s nice to see them all so respectfully gathered into one mega-set, especially because they’re so sequential and relevant to each other. Plus, as a 28 year old male with cartoons on your bedroom shelf, having them in a tin is slightly less repellant to the opposite sex.

Heros In Flight - Costume Delight

Ok, CQ folks. Today we have come to fulfill your ultimate nerd fantasy. Walk to your closet. No – actually run, because this event will be blow you away – literally.

Go get your costume. Don’t argue with us, we KNOW you have one. Come on down to New Paltz and unite with other Superfriends as you soar above the universe.

For more about this amazing event which our friends at FunList put together, read on…
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For anyone who’s ever wished they could fly, we’re offering the next best thing – the chance to free-fall while wearing a Superhero costume.

On Saturday, Oct. 24th, join us for a day of pant-soiling & skydiving near New Paltz, NY. Everyone is encouraged to bring a costume and prizes will be awarded to the best dressed. People dressed as themselves will be rewarded with non-stop ridicule.

Afterwards, we’ll take our renewed appreciation for life to the town of New Paltz for a few drinks. FunList will provide everything you need for this trip, including transportation from NYC and new underwear.

Included

• Transportation
• Skydive (training, gear, instructor, etc)
• New Underwear

Not Included

• Your Creative Costume

Departure/Return Info
Our group of about a dozen will depart from 37th/10th, in Manhattan, at 10am. We’ll be traveling about an hour and a half north, via our 15 passenger FunList van.

After our afternoon of skydiving and evening in the quaint town of New Paltz we’ll head back to NYC, arriving around 9pm. Upon our return, we’ll drop you off anywhere in Manhattan.

RSVP Info
This event is made available to you by Elizabeth Kressel, founder and CEO of Collectors’ Quest.

To RSVP, simply Register on FunList and click on the RSVP button for the Superhero Skydive event.

With the vast number of different Justice League cartoons that have been created since the 1960s, it’s easy to get ‘em all mixed up – Super Friends, Challenge of the Super Friends, DC Super Heroes, The Super Powers Team, The Legendary Super Powers Show, Newhart – but the clearest distinction can be made with The All New Super Friends Hour, because this is the show that everyone remembers. Maybe because it was the most ridiculous, and maybe because this was the first appearance of the Wonder Twins, Zan and Jayna.

It’s hard to ignore a couple of teenagers in purple spandex who have a spring-loaded monkey. As hard as you might try. Man, we tried.

This is the second volume of this ‘All New’ version of the show, as created by Hanna Barbera in 1977. In true Barbera style, the animation is charmingly recycled to a very noticeable degree, and bombastic music is used in the background of every scene, creating an atmosphere of pure action and adventure. Since the cartoons aired before I was born, I can’t claim any nostalgic value, but of all of the cartoons of the 1970s, this one seems to have the most cultural relevance today.

In my teen years, this was the show that was parodied more than anything else, when Cartoon Network was defining itself and got permission to recycle the entire library of old Hanna Barbera animation into new shows and shorts. From that, we got Space Ghost Coast to Coast, Sealab 2021, some aspects of Harvey Birdman : Attorney At Law, and effectively, the whole [adult swim] block of cartoons – the part of the animation renaissance that I quietly obsess over.

Best of all, the very first episode in this set includes two things that I immediately recognize as an avid cartoon watcher in the 90s. First, the infamous Wonder Twins ‘Gopher Moat’ episode, which is a testament to how completely absurd the whole cartoon was in general. You can watch the parody on YouTube, but the original episode wasn’t too much different – which is amazing in its own respect. Additionally, the first episode also includes ‘Coming of the Arthropods’, which includes an army of bugs that look suspiciously like Space Ghost’s Zorak. Hannah Barbera didn’t limit their animation recycling to within the same shows, clearly.

It’s also interesting that Jayna can just say ‘form of a space insect!’ and become one. I mean, I’d just turn into an all-purpose Razor-Fisted Deathosaurus, but I guess that those Wonder Twins weren’t too bright. For proof, please see ‘Gopher Moat’ – and the 12-minute special feature on disc two that details both how horrible and how awesome these guys are.

The DVD includes eight episodes over 366 minutes – each episode divided into four team-up episodes, and interspersed with safety tips and secret code segments, as well as the ‘coming up next’ previews, which were left in tact. Seeing all of the original stuff in context, all of the slips and scratches together in one place, is neat. And of course, an essential part of your superhero or animation collections. It’s all packaged together in a slim cardboard slipcase, so it doesn’t even take up any real space – and it’s definitely good for a well-natured laugh.

Aquaman getting half-eaten by an invisible shark should be required viewing anyhow.

After spending a whole day shopping at NYCC, I decided that I wanted to experience the full Comic Con Experience, which meant attending events that weren’t on the main floor (as well at eating from vending machines and getting smacked across the face with a backpack full of hardcover comics). Luckily, Saturday had a numbed of panels in isolated meeting rooms.

[ Example of a panel ]

If you’ve never been to a ‘panel’, here’s how it goes : a handful of professionally related people sit at a long table with microphones and bottles of water. In a small meeting room, you might get squished into a folding chair in between a couple of larger gentlemen with breathing problems. If you end up in a theater, you’d be pretty lucky to get a seat where you could still see the stage without a telescope. The assembled professionals talk about an aspect of their trade or craft, and the audience asks questions. This lasts for about 30 minutes, or until the room gets hot and sweaty, and everyone squeezes out when it’s all over. Being given new and exclusive information is not an unpleasant experience, but the ‘panel’ is almost always a static, stilted presentation, with rare exceptions. PowerPoint never helps anything, guys, unless you’re trying to sap my will to live.

On today’s schedule was ‘DC and Mattel‘ (a discussion of the ongoing line of DC Universe Classics action figures), a discussion with Hellboy creator Mike Mignola, a panel featuring talent from Hellboy II, and a panel with the creators and voice actors from The Venture Bros. – my favorite cartoon of all time. Fortunately, and against all odds and disorganization, I made it into all four events, but not without a great deal of trouble and uncertainty.

The ‘DC and Mattel‘ panel was held in the aforementioned hot, unventilated little room and featured members of DC marketing team, a few members of the popular sculpting team of The Four Horsemen, and a brand manager for DC Comics. The assembled crowd was given a PowerPoint presentation that featured lists and images of some of the upcoming DCUC and JLU figures, each ‘new’ item being greeted with the suitable ‘ooh!’ and ‘aah!’, or silence if the pictured item was a re-paint or re-release of something else.

We were informed that the JLU line (seen here in our gallery) has shifted from a kid-centric line towards being a collectors’ line, and as such, it would begin to feature characters that were never actually IN the show but are popular with fans anyhow. The line would also be sold exclusively at Target. Upcoming JLU figures include a great Jack Kirby-inspired ‘New Gods’ box set of six that will include characters like Forager and Lashina. Also new will be a classic Batman (in his blues and greys), Galatea (essentially, Power Girl in cartoon form), Captain Atom, a re-release of the rare Gorilla Grodd, and a San Diego Comic Con exclusive Giganta – in both ‘normal sized’ and ‘enormous’ forms. As someone who’s still seeking a few rare figures (and finding them, years after release, due to strange distribution), this was exciting stuff.

Mattel also revealed details about upcoming DCUC figures (also pictured here), which include Batman Beyond, Captain Atom (in two variants), and amazingly huge Ares, and a collect-and-connect Despero. Wonder Woman (from Wave 4) will have an Artemis variant, and there will also be a Wal-Mart exclusive wave, which will include Amazo, The Atom, The Riddler, Black Lightning, Eradicator Superman, and a collect-and-connect Brainiac. Anyone who’s collected toys for a while will shudder at the very mention of anything being exclusive to Wal-Mart, because ‘Wal-Mart Exclusive’ equates to ‘impossible to find and expensive on eBay’ – but Mattel assured the crowd that the wave will ship consistently throughout the year, alongside regular figures. Toys ‘R’ Us will also be getting an exclusive 2-pack of Lightray and an unmasked Orion, as well as a 2-pack of some Batman re-releases. We were also shown a glimpse of Hawkman.

The biggest news, however, is the release of a SDCC Exclusive Lobo. Now, Lobo is a fun character with a hilariously ultra-violent background. Because of this, DC avoids making toys of him at almost any cost, because they just don’t want to present the character to children if they can help it. Because the SDCC environment isn’t general retail, and assumed to be a mostly-collector event, Lobo will be sold there and only there. However, once the NY crowd collectively moaned and frothed at the Mattel brand manager, he promised to make the figure available online also.

Questions were fielded regarding this character or that character, and they were all answered openly and honestly. One thing that did surprise me was the tone of the complaining about not getting figures in NY as quickly as our West Coast brethren – an observation which showed a complete ignorance about how toys are distributed in the US. Most toys come in at California ports, and over the course of a few weeks, dependent almost entirely upon the distribution system of any given retailer, they make their way around, leaving Mattel with little say on what is sent where and in what quantity. To complain to Mattel is a fruitless activity, unless you’re asking them to just make more toys – and even still, the retailers need to order them. For a few minutes, it was like sitting in a whiny message board, and it was uncomfortable.

The second panel I sat in on was a discussion with Hellboy creator Mike Mignola, who wasn’t given anything but a chair and a table. No moderator, no preface – just a guy open questions and answers. Despite the lack of preparedness on the part of NYCC, Mignola sailed through the questions in good time and gave great, casual answers regarding his many projects, inspirations and aspirations. He wanted to break into comics, he started inking things (poorly, by his own admission), and eventually decided that drawing monsters fighting was his true calling – and he never looked back. It really didn’t get more complex than that, and it didn’t need to be. Oh, and using lots of dark shadows on things meant that the comic’s colorist couldn’t screw it up too badly.

I arrived at the Hellboy II cast panel an hour early. As it turned out, the Lucasfilm panel was running 30 minutes late, so the insanely huge crowd of a line waiting outside of the IGN Theater didn’t even really know what they were waiting for, and no one seemed to be able to tell them. This was exacerbated by the fact that the only crowd control was volunteer teenagers in yellow shirts, none of whom could give an answer consistent with the guy standing next to them. I waited on the line for about 45 minutes before I was told that it wasn’t for Hellboy after all (even though it was scheduled to start), and that I wasn’t allowed to wait on ANY lines until 2 PM. Despite this, Hellboy fans started their own impromptu line off to the side, while we all joked and debated as to whether our line was an official line or if we’d again be dispersed by the angry grey-haired guy. I was chatted up by an anime geek while I mostly shrugged and indicated that I had no idea what he was talking about, but wrote down a few ’suggested watching’ titles anyhow. We eventually wound our way in, sat through a few scenes of the upcoming action movie ‘Wanted’ and enjoyed a short talk with the Russian director – who seemed totally bewildered at the crowd.

The Hellboy panel, presented immediately afterwards, included director Guillermo DelToro, Ron Perlman, Doug Jones, Selma Blair and Mike Mignola, along with newcomer Luke Goss. After an extended trailer, the lights returned and the stage was filled with creatures from HBII, delighting and shocking the whole audience. After this, the audience lined up to ask questions – most of them directed at DelToro. In fact, I don’t recall Selma Blair or Luke Goss (who actually appears in both Hellboy and Wanted) saying a word during their entire stay on stage – with DelToro vibrantly and amicably (and crassly) responding to every inquiry. He expounded on his feelings as an independent director versus being a director working for a major company – and while the big bucks reside in major motion pictures, he likened it to trying to draw a picture while a dozen hands are holding your pencil. He gave out his personal e-mail address in a search for artists and interns, which I quickly wrote down and began to do sketches for. I’m far more enamored with creators than with celebrity, but it would have been nice to get a few more words out of the actors regarding how they felt about the filming process. Perhaps the most interesting revelation was that the voice of new movie creature Johann was to be provided by Seth MacFarlane – creator and talented voice actor from Family Guy.

The Hellboy monsters were going to stick around for photographs, and a limited edition poster was to be given out, but I bolted out of the theater to make it to the Venture Bros. panel on time. I was very surprised to encounter another ridiculously long line that wrapped around the small events hall. Everyone expressed doubts about the size of the line being able to actually make it inside, but after a quick room change and a couple of crowbars to squeeze everyone in (along with irate people from another mysterious line that also ostensibly led inside yelling at organizers), we managed to get a seat in the back of the room, right next to a curly-headed guy who was making every every to not fall asleep on my shoulder. And failing.

The Venture panel consisted of a few scenes from the upcoming Season Three, followed by a conversation with Doc Hammer, James Urbaniak, Michael Sinterniklaas and Jackson Publick. While it mostly consisted of in-talking and a debate about whether one would rather lose a toe or a finger (given the choice), I found the behind-the-scenes personalities very interesting. A couple dressed as The Monarch and Dr. Girlfriend asked Doc Hammer to perform their marriage ceremony, and the panel launched into a hilarious and philosophical discussion about the souls of clones. Everyone associated with the show was really amicable, and even gave out prizes for excellent questions or costumes – though the prizes only consisted of really bad DVDs.

The effect of most of the panels was to come away inspired to create things, which is the most that I can ask from anything. There was still one day left, and I was going to round it out with a bit of everything.

It all starts with Bruce Timm. If you need to blame anyone for why I am the way I am, blame Bruce Timm. And maybe Swiss Cake Rolls, which you can blame the fat parts on.

In 1992, ‘Batman : The Animated Series‘ debuted. I was 11 years old, and I wasn’t really that into superheroes at all, if you can believe it. My kind of superheroes were made of pixels and fought their way through The Mushroom Kingdom and sometimes had wizardly beards and summoned dragons for magical stuff. Still, something about the serious, dark and brooding atmosphere of ‘Batman’ changed everything, despite its lack of orcs and bugbears. It was a cartoon that didn’t depend on slapstick humor, bright colors, punchlines or any modicum of goofiness, and it got my attention more with a whisper than a bang – and I wasn’t the only one who was hypnotized.

Bruce Timm had come along and revolutionized the way that we thought of animation. It could be beautiful and fluid, and be incredibly simple at the same time. In fact, the less lines and details that there were in a character, the better and more convincingly they seemed to move, even if the details of the character itself were minimized. Timm’s interpretations of characters from Batman to Killer Croc to The Penguin and Catwoman all melded seamlessly with the timeless Art Deco landscape of his Gotham City.

After a few other heroic characters from the DC Universe made appearances in Batman’s show, the collective appetite of an audience of cartoon fans was whetted for more. In 1996, Superman got his own similarly animated show, and in 2001, ‘Justice League‘ premiered, incorporating a larger number of Timm-inspired and designed heroes to the ‘DCAU’, or ‘DC Animated Universe’. This evolved into ‘Justice League Unlimited’ after a few seasons, which ostensibly gained the license to use each and every DC character somehow in any given episode, and it often did. And it was exciting to see a little cartoony Etrigan the Demon or Captain Marvel battling it out across the TV, for the first time in full motion. The minimalist Art Deco style of the characters somehow flowed seamlessly into a more modern environment.

By this time, the series had evolved into an action figure line, and against everything that action figure collectors collectively clamor for and whine about, the series remains a massive success. Sure, they’re in a tiny 4” tall scale, and they have barely any articulation at all, and most of them can’t stand up on their own, but there’s so damned MANY of them. I recently went through my own collection and catalogued them for our Community Section, so check ‘em out. Mattel takes the ‘Star Wars’ approach to making JLU action figures, inasmuch as any character that might have had half of their face appear in a crowd scene once warrants an action figure, and I love it. Recently, the newer figures have been exceptionally difficult to find, so collectors have been raising alarms about this scarcity – myself included this time. I want a Mr. Miracle, darnit, and I’m not paying 50 bucks for a 4-inch Volcana figure – which eBay is asking right now. None of this collecting was made any easier by hard-to-get convention exclusives like Solomon Grundy, and a Green Lantern Hal Jordan figure that Mattel released only to employees at a company party.

The interesting thing about these figures is not that there are so many, but this ‘animated style’ that was originated by Bruce Timm’s artwork has spanned across divides between all manner of properties – things that have never been animated are now being created as sculptures and action figures in this simplified ‘animated style’. Why? Because it’s just so neat. While it defies traditional toy logic to create an action figure or sculpture line that doesn’t immediately match up to an existing property exactly as it appears, it’s happening. Collectors routinely decry anything that doesn’t exactly match with what it’s supposed to be, and yet, these interpretations are successful.

Gentle Giant didn’t go the action figure route, but went significantly more monumental with the animated style, creating an interesting series of mini-statues, or ‘animaquettes’, of a large array of Star Wars, Lord of the Rings, and Pirates of the Caribbean characters. While I haven’t been sucked into the Lord of the Rings or Pirates stuff (yet), I absolutely fell in love with Animated Darth Vader and Princess Leia… and I have my eye on a Chewbacca and maybe an Emperor.

Pirates of the Caribbean has extended itself beyond these statues and the array of action figures that were created for the franchise’s movies, and suddenly, ‘animated style’ figures have been popping up under the name ‘Swashbucklers’.

The now-defunct Palisades Toys was probably the first company to breach this animated void, when they created their ‘Witchblade Animated’ toys in the early 2000s, despite the fact that the comic series Witchblade wasn’t animated until 2007. Recently, McFarlane toys also added a whole mess of ‘animated’ toys to the world of Spawn action figures, and while ‘Spawn’ was actually a semi-successful HBO cartoon a while back, it wasn’t in the style that these figures appear in. This minimalist design style has been just that infectious.

Time to go pop in some DVDs and fight off the effects of anime destroying Saturday mornings as we knew them.