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At this point in his creative career, Hayao Miyazaki has directed nine different animated feature films under his Studio Ghibli label, and every single one of them is available in the US, thanks to Disney and their talented team of translators, voice actors and dialogue-reconstructors. Take advantage of this.

While I have said before that I’m not a fan of what US television has done to anime, the films of Studio Ghibli feel like a beacon of intelligence among the horrible battling-trading-card-and-monster-shows-that-sell-merchandise which we’re now drowning in, or those cartoons that show just a few too many shots of schoolgirl underwear. While many of Miyazaki’s films focus around innocence, children, and the mystical circumstances they stumble into, rest assured that there are no underpants to contend with.

Disney has recently re-released some Miyazaki classics which you may have seen on the shelves a few years back : My Neighbor Totoro, Castle in the Sky, and Kiki’s Delivery Service. So, let’s dissect the differences of the US releases. It goes without saying that these are all excellent films – you can find detailed criticism elsewhere.

My Neighbor Totoro was released in 2002 by Fox, though this edition of the DVD was missing the original Japanese language track, and was presented in awkward fullscreen. It was again released in 2004 by Disney with an entirely new English voice cast, and again in 2010 – both of which are 2-disc sets which differ in special features.

The 2004 release, which features a colorful fishing scene over a river on the cover, includes a featurette with US voice actors Elle and Dakota Fanning, as well as the original trailer in Japanese and the complete film in storyboard form. The 2010 release, which uses a dark blue, rainy scene on the cover and a gold slipcase spine, features an extensive exploration of Studio Ghibli as they were making Totoro, previews for a few other films, and the same storyboard version of the film as the 2004 edition – as well as a beautiful little lithograph of the cover scene.

As a completist, do you want both? My favorite part of any animated DVD is the voice acting stuff, but the choice is yours. This film is so iconic that Ghibli uses Totoro as their logo. The earlier editions are currently out of print.

Castle in the Sky, which is also sometimes called Laputa, or a combination of the two, (and not to be confused with Howl’s Moving Castle, also by Studio Ghibli), was first released by Disney on DVD within the US in 2003. This version has a light blue cover with a tress in the center, and includes an introduction by Disney’s John Lasseter, the option to view the film as the original storyboards, the original Japanese trailers, and a behind-the-scenes feature with the voice talent.

The 2010 release, which has a floating girl and a gold slipcase spine, also includes the introduction from Lasseter, the original storyboards, and a new featurette about the awesome steampunk worlds of the film – but leaves out the voice actor features again, while including a small print of the cover. Both versions are still available at the time of this writing.

Kiki’s Delivery Service was also released in 2003, featuring a cover which uses a large portrait of the protagonist. This includes the same four types of features as ‘Castle’, while the 2010 release (depicting a girl on a broomstick flying over a cityscape), mimics the three features of the 2010 edition of ‘Castle’ also. All three of these films are being re-released now to accompany the release of Ponyo, which is the newest Miyazaki release.

One thing worth noting is that all of these are, and have been, available from other publishers which are not US-based. I’ve had a few experiences with attempting to purchase anime DVDs from discount distributors before, and the results have been completely disastrous. Unless it’s a producer that you trust and has a solid reputation for releasing films in the US, buying cheap anime DVDs is a colossal waste of money – unless you speak Japanese. Most often, the subtitles are completely unreadable, having undergone translation into Korean or Chinese, and then to English. Try doing this with any sentence in Babelfish and you’ll see what I mean. So, the only sure way to get your hands on these Ghibli releases and to enjoy them is to buy the real, Disney versions of them.

Years and years ago, hubby, the kids and I visited a family member near Wautoma, Wisconsin. We stopped for lunch and next to the restaurant was an antique store. Naturally, we had to stop in after our meal. We were immediately drawn to a gorgeous antique desk. Beautiful wood, lots of compartments and a classy brass nameplate. It turns out that this fabulous piece of furniture was from the 1920s and had once belonged to a member of the Wisconsin State Assembly. We admired it a great deal and asked the shop’s proprietor if he knew any of its provenance. He shrugged and said it belonged to a local family, passed down after the Assemblyman’s death. They would have liked to keep it but, unfortunately, needed the money more than a fancy heirloom. We were saddened to hear the story, but did understand.

It was a joy to see it, touch the wood and wish that we could afford to buy it and give it a good home. But alas, the price tag was $1,500. This equated to a year’s rent back then.  We did return about a year later, and it was sold.

Fast Forward to February, 2010. We stopped to shop at one of our favorite antique malls, Roscoe Antiques, in South Beloit, Illinois. Directly in front of us stood a magnificent desk, even more fantastic than the one we’d viewed years back. This is a multi-dealer mall, but as luck would have it, the owner was on the premises, working in his booth. He came forward and asked if we had any questions.  And we did! He shared with us that this was called a Wooton Desk, from the 1880s or thereabouts.  He had purchased it in central Illinois but was not able to learn anything about the desk’s history.  It is an astounding piece of furniture and had all the “bells and whistles” you could want in an office in that time-frame. Lots of cubbies, sliding drawers, various sized openings, probably secret compartments for special treasures (wish we had the time to check them out!)  We asked if we could take some pictures and he was glad to allow that.  He told us he would love to keep it and agreed it was truly special. But he had paid a hefty price for it and his intention was to sell it.

When we returned home, I “Googled” Wooton and found out that the design patents were granted to William S. Wooton in 1870. He was an Indianapolis, Indiana entrepreneur and his production ran from 1870 to 1884.  It was called a “secretary desk” and was intended to organize all records and keep documents in pigeon holes. While there was a certain amount of “snob appeal” in owning such a grand and complex piece of furniture, it was obsolete after only a short time. File cabinets, typewriter desks and stands and the like took over.

I know the ad for “apps for this and apps for that” are what people are looking for, but who wouldn’t love to have a grand piece of furniture like this in their home or office?

I have an intense appreciation for animation, so I’ve collected just about everything that Studio Ghibli has released here in the states. To call Ghibli ‘the Japanese Disney’ would be a disservice to both studios, but both create things of such epic atmosphere and depth that it’s no surprise they’ve joined forces to make the best possible stateside releases of all of Ghibli’s classic films.

The translation of Japanese animation to a US audience is usually a very dicey procedure when it’s cheaply done. You get subtitles that read like drunken haikus, enormous spans of plot inconveniently cut for brevity and clarity, and subtlety drained from the very core of what makes some Japanese animation stand apart from what US kids are usually given. So, even when Disney loads the American voice cast with celebrity names, and a few names pulled directly from their own teenybopper talent farms, they do a great job, such as with Ponyo, which was just recently released on DVD & Blu-Ray for the first time.

Subtlety is the key. Instead of fairytale princes in this retelling of ‘The Little Mermaid’, we have a regular kid. We have quiet magic interwoven so intimately with everyday life that all of the regular folks approach it calmly and with a sense of wonder, instead of suspicion and distrust. Instead of computer-heavy graphics, we have a film that was drawn by hand in the most tedious, organic way possible – but revealing none of the tedium in the final product. It’s the kind of quiet, real beauty that we don’t get enough of, so I’m thrilled that we’re getting this treat over here – and on Blu-Ray no less.

There are two versions of Ponyo out there – a simple DVD version, and a DVD / Blu-Ray combo pack that’s only very slightly more expensive. Let me just note that, as a collector who is new to Blu-Ray, the only things I have in this format so far are Disney and Pixar films. Both preserve the original soundtrack in Japanese and present the option of subtitles, if you’re a purist – but the English voice acting is really very good and completely undistracting.

The DVD includes a 5 minute featurette about the making of Ponyo, though it doesn’t really explore it in any depth. All of the real details are on the Blu-Ray disc, which explores these things from multiple angles, and adds even more neatness to the behind-the-scenes stuff that’s been accumulating on all of Disney’s Ghibli releases. No Ghibli or Miyazaki collection is remotely complete without this exceptional, inspiring animation.

[DVD graciously provided by BVHE]

Those of you who have read my blogs know that I am a seller of antiques and collectibles and one of my favorite places to do so is the flea market! Hubby and I set up at a small, local ‘flea’ this past weekend. It was our first time selling at this one, but had been there numerous times to buy, and with some success. There were probably 50 vendors. I am reluctant to call them ‘antique dealers’ since many were very new to it and had items that were more contemporary and probably plucked from boxes in their basements.

The lady next to us introduced herself as Mabel and told me it was her 2^nd time there.  She was quite old, perhaps in her late 70s, and came with a friend who had shared the rental costs with her. Her items were few and far between – I don’t think she had more than 15 items on her table.  And they were most likely from the low-end or discounted stores, for example, a ceramic lighthouse, 2 green bowls that were not from the Depression Era, and a cow figurine that had a chip. Mabel was a nice lady and I enjoyed chatting with her, but she was a little down because she had only sold one $5 item and it was nearly time to close up shop.  I gently suggested that next time she should bring more items, giving better offerings to the shoppers.  She smiled and said she had numerous collections and had her late husband’s things to go through, but hated to drag more than a boxful to the sale. I said I could understand that. And I did, at least until I saw her grandson come in to pack her up. He was about 6 foot 3 inches tall, a solid young man, and could readily have carried in as many boxes as she wanted.  Before she left, I asked her how she did and it turns out it was only the $5 she had mentioned earlier.  She told me she had sold $15 worth the last year and hoped she would top that.  I smiled and said “maybe next year” and she agreed.  I wonder if she’ll catch on and bring a nice assortment next year!

I shopped at a booth with a young man who shared with me that he had sold on an Internet site for over 3 years.  He told me that everything he brought had been tested on the site and not sold.  Gee, why would you tell that to buyers who may have intended to sell them that way. Now they know these were ‘rejects.’ While I was in the booth, he told me of a lady who just  bought a rather nice glass vase from him. They evidently haggled a bit and she walked out with the prize for $35 instead of the $50 he had originally wanted. He relayed the story and then he exclaimed to me (and anyone else in the area) that he had found it in a dumpster so it was ALL profit! Now, we all know that the intention of sellers it to make some money on their sales, but we did not need to know that it was free and the buyer was a “sucker” in his mind!

Among the many people through the booths was a former co-worker and his wife.  Through the years she has asked me to save any “sewing items” for her. Items such as darners, needle cases, unique buttons, etc.  Well, I had found the coolest item – a combination egg darner, needle case (the handle turned off), and it even had advertising on the ‘egg’ part! I held it for a few sales, waiting for her to show up and she did!  I proudly displayed the piece and expected her to be happy and ready to buy the treasure.  I offered it to her for a little over what I paid for it. She picked it up, turned it around, and said “Uhhh, I’m just not sure.” I said that it was OK, I’d put it in the display case and see if someone else liked it.  As luck would have it, the next person through was so thrilled with it they did not even quibble over the price (quite a bit more than I had quoted the friend.)  About 10 minutes later the friend returned, and said she’d take it. I had to tell her it had just sold and she pouted.  (You snooze, you lose is a famous motto in antique buying and boy, was this appropriate.)

You may recall my nemesis “NEWMAN” from earlier blogs.  This is a red-headed lady who has tortured me in searches for my treasures.  Some of our run-ins have been written about. Well, here she was at our booth.  She was, as usual, all smiles and trying to be a charmer (it does not work.) She asked how we were doing and we embellished a bit on our profits, and smiled back sweetly. She picked up a figurine and asked what our “best price” was.  We gave her a discount but she wanted more.  We came down a tad and she bought it.  She then proceeded to tell the story of a super vase she “stole” from a young man at the sale. She knew it was an expensive vase and she was able to get him to lower the price to $35! She was so proud.  I smiled even more sweetly after that and said it sounded like a great deal.  I was glad that the lad had shared the story with me.  I knew that he had gotten one up on my Newman and that made my day.

Any stories of the road you’d like to share or collections you are proud of?  CQ would love to hear about them.

As an avid member of the living, it took me a while to really get into the whole zombie thing. At this point, I’m a total convert. From video games to action figures, I’m sold – and with a few friends who are even more dedicated to the zombie genre than myself, it’s almost a kind of social obligation to be able to talk about zombie movies at length (as well as orchestrate survival techniques for the inevitable onslaught).

I recently had the opportunity to see Dead Snow, which one particular friend regards as the best zombie movie ever made, and turned into something of a nightly viewing for a while. After seeing it myself, I think she’s on to something.

Dead Snow combines a few interesting premises into one eerie, scary, funny, nauseating experience. You have an isolated, snowy landscape, you have zombies, and you have Nazis. Despite being a zombie movie, it rarely dips into the realm of the hokey or too obvious. All of this is amplified by the fact that I live in New York and was just hit by the worst, most destructive blizzard that I have ever witnessed and sat in the dark for two days without any power as creepy noises broke the night outside. Needless to say, I’m pretty primed for some crazy snow terror.

While the DVD has been out for a while, IFC has only recently released the 2-disc edition, complete with a whole extra disc full of fan-friendly awesomeness. Spoiler alert : it’s all made worthwhile by behind-the-scenes zombie Nazi dancing.

Every good horror DVD includes a whole lot of details about how the special effects were done, and these are included her as well. Production troubles, the experience of Sundance, trailers, some fight outtakes, and you have just about everything you could possibly want to see about the guts of this movie. It definitely places as a film that I’d want to share with friends, if only for the sheer ridiculousness and the fact that despite this, it is actually chilling. Sure, we never find out why these Nazis became zombies as we might in more pseudo-science oriented zombie flicks, but there are so many body parts flying around that you barely notice.

The cover bills this film as one of the best 25 zombie films of all time, but I’d have to elevate that to the top ten, at the very least – if only to leave some room to be even more deeply creeped out.

[DVD graciously provided by IFC Films]